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| 2011 |
• music online:
Danish Radio
"beau son.ge - An Electric Fayerie", 2009 (48')
"dépôt de beau songe", 2010 (52')
"Café Sonore" (Netherlands Radio)
"con'tinuo I", 2001 (40')
"p'antrogramma", 2001 (40')
"né-tchr - A Musik Story" (40')
"CavæTóna" (36') |
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| 2010 |
• Compositeur contemporain |
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| 2008 |
• Last.fm registration/en
• Last.fm Inscription/fr |
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| 2006 |
• MySpace Registration
•
Wikipedia Registration/en
• Wikipedia Insription/fr |
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1999
- 2010 |
assignments for composition by
broadcasting corporations at home
and abroad:
acoustic sculpturally projects in the
• context of the Donaueschinger
• Musiktage and the Styrian autumn
(‚music protocol‘).
ars acoustica projects: for the
• Bayerischer Rundfunk in co-operation
with the t-u-b-e - Gallery for
Radiophonic Art Munich; for the
• Deutschlandradio Kultur Berlin in
co-operation with the Südwestrundfunk
Baden-Baden; for
• Radio France Culture in co-operation
with Deutschlandradio Kultur Berlin/
Goethe-Institut Paris; for the
• Bavarian Radio in co-operation
with the Saarländischer Rundfunk
and the Stadtgalerie Saarbrücken.
As well as
• a theatre production of the Theater Aachen:
radiophonic theatre- and space
project „mériterechkîma“.
• assignment for composition by the
German Radio-Philharmonics Saarbruecken
Kaiserslautern (SR/SWR)
• assignment for composition by the
Deutschlandradio Kultur Berlin
The music of Norbert Walter Peter is
since then constantly presented in
broadcasting programs and events at
home and abroad: Australia and
New Zealand, Asia, South America, Israel
as well as West- and Eastern Europe.
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since
1993 |
motivic union of the artistic works as
trilogy:
music (music piece/music performance/
ars acoustica);
space (sound installation/tone staging/
performance);
picture (intermediary form: imaginary score). |
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1991
- 1993 |
guest lecturer at the Saarbrouck Academy
of Fine Arts, D
(composition and space experience) |
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1988
- 1991 |
conception and organization of the
Audio Art Series „.... KLÄNGE„ (as guests
a. o. t. Rolf Julius, D; Terry Fox, USA/D;
Henning Christiansen, DK; Walter
Fähndrich, CH) and the EUREGIO
Composition Competition for solo double
bass (as a guest interpreter Tadeusz
Wielecki, I/PL; jury: Wolfgang Guettler,
Manfred Niehaus, Herbert Nobis) in the
Castle of Stolberg as well as the
Performance Art Series in the Neuer
Aachener Kunstverein (guests: a. o. t.
Thomas F. Fischer, D; Teresa Murak, PL). |
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since
1987 |
turn strengthened to the Fine Arts (performance/installation), following
numerous invitations of Galleries,
Museums, Forums for Fine Arts at
home and abroad: a. o. t. Basel, CH;
Eindhoven, NL; Warsaw. PL; Roskilde,
DK; Kiel, Heidelberg, Berlin, Cologne, D. |
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1982
- 1986 |
concert activities as Lute player
a. o. t. with the ensemble for ancient
music: „Compendio de Musica“. |
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since
1977 |
activities as music reviewer and free
journalist as well as since then activities
as a teacher of a musical instrument:
Concert Guitar, E-Guitar, E-Bass,
Vocal Coaching. |
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1981
- 1984 |
composition with Herbert Nobis, Aken. |
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1975
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student-like opera performance in the
Theater Aachen: a. o .t. together with the
Wagner singer Hartmut Welker and the
concert singer Klaus Mertens (Carl Orff
„Die Kluge“).
In between calling up to the civil service
in a hospital.
Afterwards studies of guitar and renaissance
lute (Tadashi Sasaki), singing as well as
scientific researches for the music of the
Spanish Renaissance; Diploma about
a „Contrasting analysis of the Lute Fugue
in g-minor BWV 1000, Violin Fugue in
g-minor BWV 1001 and Organ Fugue in
d-minor BWV 539 of Johann Sebastian
Bach“. |
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1974
- 1981 |
studies at the Staatliche Musikhochschule
Rheinland (Academy of Music). At first
music theatre (Peter Massmann) and
singing (Else Bischof-Bornes). |
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since
1970 |
took place the first compositions and
concerts: above all songs with own texts.
The first guitar teacher is Hans Michael
Koch; singing lessons; further concerts
and broadcast production (WDR3 Cologne:
Schönberg (songs) with the
Junge Chor Aachen.
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1966
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beginning of the musical activities as an
autodidact in the subject guitar. |
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1964
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experience of poplar roaring as
acoustic sculpturally event in space. |
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| 1957 |
fascinatet from the possibilities of a
Grundig tape recorder of the uncle
from Hamburg. |
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1954 |
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03-17 born in Stolberg/Aachen
(Aix-la-Chapelle/Aquisgrana) D. |
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1953/54 |
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intra uterine shaping by the singing mother. |
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